TSUCHINOKO Midwest, U.S.

cotonblanc:

Junya Watanabe by Chikashi Suzuki for Dune Magazine, #20 (2000)

(via velificatio)

70sscifiart:

Alien Worlds

70sscifiart:

Alien Worlds

likeafieldmouse:

Jamie Wyeth (son of Andrew Wyeth)

1. Lester (1963)

2. Portrait of Shorty (1963)

lilacsinthedooryard:

 Arthur Bowen Davies
 Château Langeais, 1924

lilacsinthedooryard:

 Arthur Bowen Davies

 Château Langeais, 1924

The Master observes the world but trusts his inner vision. He allows things to come and go. His heart is open as the sky.
Lao Tzu (via damanhur)

(Source: thecalminside, via hackr)

I believe that the photography world, and the art-world in general is an extremely elitist place, which forces you into very narrow roads. If you want to, for example, be exhibited in a gallery, you have to create photos where each picture is a perfect product for some investor – that’s what art collectors usually are – to buy. This really limits the ways of expressing yourself. It is also very difficult to get your work exhibited in a gallery, or a cultural institute, or a museum. But to self-publish a book – you don’t need the confirmation from anybody, you just do it yourself.

(Source: 19oddyears, via industrialbeat)

readingaroundthemovies:

Valerie Hegarty

Famous paintings come to life in 3D sculptures of nature’s destructive tendencies.

This is scary

(Source: fem-arts, via artyougladididart)

(Source: weissesrauschen)

tacticalneuralimplant:

Gotta love Blastromen.

tacticalneuralimplant:

Gotta love Blastromen.


Blade Runner (1982)

Blade Runner (1982)

(Source: verticalfilm)


Blade Runner (1982)

Blade Runner (1982)

(Source: verticalfilm)

(Source: churchoflux, via overleningrad)

Dustin Kraus Animator/Designer/Robot. Utterly confused by the world half the time, the other half is spent in amazement.